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Jenni Monet

Director | Producer

Sugarplum Pictures, Inc

Brooklyn, NY 11201

LOSING GROUND

The tiny island of Kivalina, Alaska is shrinking and that means, for the 400 Inupiat villagers who live there, they must find a place to move... and fast.  Faced with a seemingly endless series of battles--with the sea, with the climate, with the government, with themselves-- this small, remote community must find a way to work together as a family if they are to stay connected to their rich ancestral homeland.

Producer Profile: Bo Boudart and Norman Brown

 

While the environment is a popular documentary film topic, few seem to explore today’s ironic impact of man’s growing demand for energy on the Native people who lived for centuries off of the land.

Norman Brown and Bo Boudart on the Navajo ReservationIn a new film, called “Power Paths,” veteran producer Bo Boudart and first-time documentarian Norman Brown explore grassroots environmental movements throughout Indian Country with a focus on the Navajo, Hopi and Lakota tribes’ Reservations. For Norman Brown, a member of the Navajo Nation who lives in Chinle, Ariz., this is a very personal issue that piqued in him a sense of activism.

“I started in the 70s. I guess to many people in their 20s that’s probably ancient history,” Brown joked in a joint interview with Boudart. “But as a young teenager, you know I’d always been involved in environmental justice issues, protests, occupation, a lot of direct action type protests. Mostly regarding sacred sites issues.”

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Official Website

His father, who was a Navajo code talker and environmental advocate himself, instilled in Brown the value of justice and advocacy for the preservation of the Navajo people’s land. Mining, oil and uranium issues throughout Indian Country first got his attention and took him all over the country, Brown said. One instance that stands out most for him was a days long occupation of a mining area in Utah that was situated on tribal lands.

It pleases him that now a new generation of young Navajos and other young Native Americans have taken the reins on environmental advocacy through grassroots organization for their people.

“We’re finally being more involved as a grassroots community,” he said of Native peoples. “I’m just really happy and glad that we have young people so intelligent, so savvy in this technology that can understand, that can read and write, that have a great grasp of the future. I mean they’ve done so much in a little bit of time than we did back in the day you know because of the Internet and cell phones…I applaud them.”

Because Brown has ties to the environmental advocacy community within the Navajo Nation, access to interviews was greater than without, Boudart said. Initially, Brown was not a producer but was later asked to sign on to the project.

The idea for the film originated with Boudart, who lives in the San Francisco area and has much experience in producing environmental films. According to his website, he has done documentaries on wildlife, ecology, cultural, educational and science programs that have taken him around the world. One of Boudart’s most recent works is an award-winning story about the Gwich’in Athabascan Indians and Inupiat Eskimos of Alaska who struggle with oil developments on their lands and coasts. Engaging the audience in a discussion about such impacts is important to Boudart.

“What we hope this film will convey for the audience is really a sense that it is really up to every individual who uses energy and who cares for the planet today that each person has to be involved in some way,” Boudart said. “Unfortunately, for most people it comes down to flipping a switch and taking for granted that it’s there. What we see and what we hope audiences will realize and come away with in this documentary is a sense that they are participants in the way that our resources are expended today and the direct impact you can see with what’s happened on the Indian reservations.”

He added, “Native Americans are showing the way of how to look at the land that they live on in a way that they want to see in the future. In other words, they want to have access to clean water and to clean air and to be able to grow their own crops and live healthy on their own land.”

People in urban areas don’t share the same kind of connection that Native peoples on the reservation do, Boudart said. “Hopefully this will give the audience a sense that where their power comes from does matter.”

For example, the film explores the sources of energy in Navajo country that supply the power grids of big cities that many people on the reservation may never see hundreds of miles away. Seeking forms of renewable energy in place of the “dirty energy” to which most Americans are accustomed is a large part of the two producers’ film.

The Power Paths website - which has tools for individuals and tribes to use to learn more about the environmental justice issues in Indian Country and the grassroots groups that have been launched to combat these problems - can be found at http://powerpaths.org/ for more information.

 

 

VisionMaker Film Festival Opening Reception

2009 VisionMaker Film Festival home

Native American Public Telecommunications cordially invites you to the Opening Reception for the VisionMaker Film Festival, Friday, October 30, 5:30 to 6:45 p.m. at the Van Brunt Visitors Center, located at 313 N 13th Street in Lincoln, Nebraska.

At 7:00pm, at the Mary Riepma Ross Media Arts Center, NAPT will present Video Letters from Prison produced by Milt Lee (Cheyenne River Sioux). Milt will be present for questions and answers after the film. No admission will be charged.

Music will be provided by AIROS with NS-NV hosts Aden Marshall (Lakota) and Tobias Grant (Omaha).

We look forward to seeing you there.

Shirley K. Sneve (Sicangu Lakota)
Executive Director
Native American Public Telecommunications

The Last Conquistador

2009 VisionMaker Film Festival home

The Last Conquistador uses the construction and dedication of a monument to Juan de Oñate as part of an examination of his legacy in the Southwest. The film raises complex questions about mestizo identity, on-going inequalities in the Southwest, the meaning of public art and the recognition of dignity and humanity of Native people.

Screening Dates/Times

Tuesday, Nov. 3 at 5 p.m. (Presenting Filmmaker) at the Sheldon Museum of Art
Saturday, Oct. 31 at 5:20 p.m. 
Tuesday, Nov. 3 at 7:20 p.m.

Download the entire schedule

Watch the trailer 

Waila: Making The People Happy

2009 VisionMaker Film Festival home

26 minutes, Release Date:  2009, Filmmaker:  Daniel Golding 

Central European immigrants brought polka music to America in the mid-19th century but the people in the O’odham Indian nations in Arizona’s Sonoran desert have made the mixture of accordions, saxophones and percussion all their own. Taken from the word baila, which means dance in Spanish, Akimel and Tohono people have created waila, a form of music that embodies polka and Mexican tejano, cumbias and Norteño.  And one family, the famous Joaquin Brothers, have taken waila (pronounced y-la) all the way to Carnegie Hall to show that “Indian music” is what culture and language make it to be. 

Screening Dates/Times
Sunday, Nov. 1 at 7:30 p.m. ( Shown with March Point)
Thursday, Nov. 5 at 9:20 p.m. ( Shown with March Point)

Download entire schedule here

Watch the Trailer

March Point

2009 VisionMaker Film Festival home

56 minutes, Release Date:  2008, Filmmaker:  Tracy Rector, Annie Silverstein

March Point follows the journey of three teens from the Swinomish Tribe who have been asked to make a film about the threat their people face from two local   oil refineries. In the late 1950s, two refineries were built on March Point, an area that was once part of the Swinomish reservation by treaty. This is the story of the boys’ awakening to the destruction these refineries have wrought in their communities. Ambivalent environmental ambassadors at the onset, the boys grapple with their assignment through humor, sarcasm and a candid self-knowledge. But as their filmmaking evolves, they experience the need to understand and tell their stories, and the power of this process to change their lives.  

Screening Dates/Times
Sunday, Nov. 1 at 7:30 p.m. ( Shown with Wailia! Making the People Happy)
Thursday, Nov. 5 at 9:20 p.m. ( Shown with Wailia! Making the People Happy)

Download entire schedule here

Watch the trailer

Cristina Ibarra, Producer/ Director

2009 VisionMaker Film Festival home

This is Cristina Ibarra’s first feature documentary. For the past eight years, she has been making short films that have been seen on public television and in galleries, museums, schools and film festivals across the United States including the Guggenheim Museum, Exit Art Gallery and the Queens Museum. Her award-winning directorial debut, “Dirty Laundry: A Homemade Telenovela,” aired on the PBS series ColorVision. She has also produced interstitials for Latino Public Broadcasting, the New York International Latino Film Festival and fulana, a Latina multimedia collaborative. Some of her credits include “Grandma’s Hip Hop,” “Amnezac” and “Wheels of Change.” Ibarra is a Rockefeller Fellow, a New York Foundation for the Arts Fellow and a CPB/PBS Producers Academy Fellow. She is a founding member of NALIP; fulana; and SubCine, the first Latino self-distribution collective. Ibarra, who lives in Brooklyn, N.Y., is currently developing two projects: a documentary entitled “Another Martha” and a feature film entitled “Love & Monster Trucks.”

Screening Date/Time

Producer/Director, The Last Conquistador

Tuesday, Nov. 3 at 5 p.m. (Presenting Filmmaker) at the Sheldon Museum of Art

(Can't make this screening? Check the schedule for other screening times.)

Download the entire schedule

Cristina Ibarra Producer/Director

This is Cristina Ibarra’s first feature documentary. For the past eight years, she has been making short films that have been seen on public television and in galleries, museums, schools and film festivals across the United States including the Guggenheim Museum, Exit Art Gallery and the Queens Museum. Her award-winning directorial debut, “Dirty Laundry: A Homemade Telenovela,” aired on the PBS series ColorVision. She has also produced interstitials for Latino Public Broadcasting, the New York International Latino Film Festival and fulana, a Latina multimedia collaborative. Some of her credits include “Grandma’s Hip Hop,” “Amnezac” and “Wheels of Change.” Ibarra is a Rockefeller Fellow, a New York Foundation for the Arts Fellow and a CPB/PBS Producers Academy Fellow. She is a founding member of NALIP; fulana; and SubCine, the first Latino self-distribution collective. Ibarra, who lives in Brooklyn, N.Y., is currently developing two projects: a documentary entitled “Another Martha” and a feature film entitled “Love & Monster Trucks.”

Milt Lee, Producer

2009 VisionMaker Film Festival home

Milt Lee has been producing video, audio and film for the past thirty years. He is an enrolled memeber of the Cheyenne River Sioux Tribe but was adopted out and away from his family. The public radio program, The Search for Indian, details his search for family.

During the ninties, Milt and his wife, Jamie Lee traveled over 110,000 miles into Indian country while recording their landmark series, Oyate Ta Olowan--The Songs of the People, a public radio series featuring over fifty Native American tribes. (visit www.oyate.com for more info).

In 2005 his film, Video Letters from Prison was awarded first place in short documentary in the Native Film Festival and in 2007 he was awarded the coveted Bush Artists Fellowship which allowed him a full year to pursue his art in film. 

In early summer of 2008 he hooked up with a couple of guys from SF, CA who are going to help him to complete a full length version of Video Letters From Prison for public television and for internet use. 

Milt continues to explore life on his video blog at www.hollowbonefilms.com.  He says he has posted a new piece every week since the beginning of the year so check it out.

Producer's Website: www.hollowbonefilms.com

Screening Date/Time

Producer, Video Letters From Prison

Friday, Oct. 30 at 7 p.m. (Presenting Filmmaker)

(Can't make this screening? Check the schedule for other screening times.)

Download entire schedule here

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