Blogs

  • The Power of Sundance

    This month is the 10-year anniversary of my first experience with the Sundance Film Festival. As a senior in High school in 2002, I had the honor of being selected to participate in the Gen-Y Studio, a former program that gave young filmmakers the opportunity to share ideas, explore filmmaking and learn about new technologies at the Sundance Film Festival. With other high school students from the United States and around the world, I had the opportunity to meet with representatives from national and international media organizations and Festival filmmakers to discuss the art of filmmaking and the role of media in society. Through my participation as a young filmmaker, I realized more clearly the power of film as a medium for self-expression and positive social change not only within Native communities, but also in a global context. This experience cemented my decision to go to film school which led me to intern with Sundance and volunteer at the Directors Lab.

    Now, 10 years later, I am happy to say I have been working for the Sundance Institute for 5 years and serve as the Manager of the Native American and Indigenous Program. In this role, I have the pleasure of helping organize the Native Forum at the  Sundance Film Festival and work with our Annual NativeLab where we develop projects and see them through to production. The Native Forum serves as a hub for the Native and international Indigenous film communities and highlights films made by Native and Indigenous filmmakers. This year, 11,717 Independent films from across the country and around the world were submitted to the festival. After final selections were made, these three films competed to be showcased as part of the Native Forum:  Mosquita Y Mari (U.S.), The Orator (Samoa), and OK Breathe Auralee (U.S.). In addition to these films, the Native Forum will feature events to celebrate and bring together the Native community at the festival and create interactions with the larger film industry.

    I'm not saying that your life will change if you attend the film festival, but I am confident you will have a good time and be inspired once you share in the power of film that Sundance helps to nurture and bring to audiences.

    Sincerely,

    D. Owl Johnson,
    NAPT Board Member

  • Native Sounds: Ras K'dee

    Ras K'deeMusician Ras K'dee (Pomo Tribe of California) is from the San Francisco Bay area. He is also co-founder of S.N.A.G. Magazine--Seventh Native American Generation--a non-profit organization that aims to work with Native youth and their struggles. K'dee creates opportunities for Native youth to demonstrate their creative skills through various forms of art, music and New Media. S.N.A.G. Magazine also hosts cultural events to promote Native American awareness and culture. K'dee and S.N.A.G. Magazine publish an annual issue featuring all of the past year's events and all proceeds are saved to fund the next project.

    One of S.N.A.G. Magazine's accomplishments is their bio-bus--an environmentally friendly bus that runs on bio-diesel.

    K'dee is the lead vocalist for Audiopharmacy--an unsigned Hip Hop collective. They have performed in venues across the globe including Germany, Japan and along the West Coast of the United States. Their music is available on MySpace and is a blend of various musical styles. Recently, Production Assistant Tobias Grant (Omaha, Dakota, Cherokee & Dineh) talked with Ras K’dee about his Pomo heritage, S.N.A.G. Magazine and Audiopharmacy.

    Interview with Ras K'dee | S.N.A.G. Website | Audiopharmacy Website | Audiopharmacy MySpace | Subscribe to the Native Sounds Podcast

  • Growing Native Request for Stories

    Postmark Deadline: March 16, 2012
    Notification: April 15, 2012

    Read the Request for Stories | Download the Application
    In order to keep the information that you enter into the fields, please save the Growing Native application to your local drive.

    NAPT seeks stories that can be included in the seven-part series, Growing Native, which will focus on reclaiming traditional knowledge and food ways to address critical issues of health and wellness, the environment and human rights. Growing Native will focus on Tribes, stories and events from seven geographic regions, including the Northwest, Southwest, Southern Plains/Oklahoma, Northeast, Southeast, Northern Plains/Canada and Alaska. Across the country, Native people are regaining health and strength through the recovery and revitalization of traditional knowledge systems of land, language, traditional arts and health. Segments intended for Growing Native will be five to fifteen-minutes in length, and will also be part of rich, web-based interactive media.  

  • `Tis the season to share and remember

    NAPT Chair Brian BullA very Merry Christmas and happy holiday season to you all!

    One of the best things I’ve enjoyed as a journalist is the opportunity to learn how many folks – including native people – ring in the Yuletide cheer. I remember a Yankton Sioux recollecting his childhood in South Dakota, where an Indian Santa brought toys, food, and clothes, to the tribal community center in the 1950s. Kris Kringle told all the kids that he’d just arrived via flying saucer (sci-fi was big back then).

    I remember an Oneida recollecting how much she enjoyed sitting next to her grandparents’ wood-burning stove during those infamously arctic Wisconsin winters….sipping hot chocolate sweetened with maple sugar, and hearing tribal creation legends passed down through oral tradition.

    I also remember a Mandan-Hidatsa man telling me how he spent the holidays dropping in on elders on the rez, to make sure their heat was on and to spend some time visiting them if they were short on company.

    And from my own personal experience, I remember visiting my relatives out on the Nez Perce reservation in Idaho, who – despite hard times – always managed to get a fresh pine tree decorated, and lined with presents for the kids. Often the heavy aroma of baked ham, fry bread, and huckleberries filled the kitchen, as parents assured each other that next year would be “a good year” for their family. Even when times were rough, they worked to make sure Christmas came through for the children.

    Whether on the rez, in the city, or in the burbs…whether in the frigid Midwest, the damp Pacific Northwest, the hot and dusty Southwest, or muggy East Coast….native tradition has always included family in its special observances. Sometimes that family is a blood relative. Sometimes it’s that stranger who became a friend, who is as much a part of one’s life as kin! I hope that all of you enjoy this holiday season in someone’s warm and loving company, as 2012 arrives with its own gifts for the days ahead.

    Sincerely,

    Brian Bull, NAPT Chair

  • Celebrate the Winter Solstice by Sharing Your Stories

    In celebration of the Winter Solstice on Thursday, December 22, 2011, NAPT invites you to share stories on our blog page. So get comfy in front of the warm glow of your computer monitor and enjoy stories from your friends around the globe.
     
    To contribute to NAPT's blog, simply sign-up as an active user on our website at http://nativetelecom.org/user/register. Create a username and password. Create a new blog page and share your stories with us!

  • Talking Circle: Erika Archer

    Erika Archer is from the Meherrin Tribe of North Carolina. She was born and raised in Fort Washington, Maryland. Erika started dancing when she was young and began to take classes in dance. Erika would continue to dance and join up with G-n-C Crew, which is a dance crew out of the Washington, Maryland, Virgina metro area (DMV). G-n-C is a hip hop dance crew, Erika would also be involved with Kevin Locke's dance troop and travel with his performing art ensemble.

    Erika holds a Bachelors Degree in Anthropology and was hired to work for the Governement. She was offered a once in a lifetime opportunity to dance with "Dancing Earth". Erika is doing what she enjoys and she also teaches dance at a couple of dance studios in New Mexico. Recently, I interviewed Erika, we talk about her experience in hip hop dance crews, her education and her opportunity to perform with "Dancing Earth".

    Interview with Erika | Facebook Page | Dancing Earth Website | Dancing Earth Facebook Page | Music Courtesy of N.S.E.

  • imagineNative

    I recently attended the , where my film, “Up Heartbreak Hill,” had its Canadian premiere.  The festival was amazing – it ran from Oct. 19 – 23 in Toronto and was a whirlwind of films, panels and networking opportunities. 

    The festival kicked off with a screening of “On the Ice” and “The Country of Wolves,” which were both phenomenal.  At the opening night party, I had the chance to chat with a number of Khoi-San filmmakers and artists, who were there as a part of the delegation representing South Africa’s indigenous community.  It was fascinating to learn about their struggle for rights and recognition, and the role that the arts have played in that journey.

    The next day, “Up Heartbreak Hill” screened to an audience that included community members, fellow filmmakers, industry professionals, and even a local high school class.  The response was overwhelming and the questions posed during the Q&A were thoughtful and insightful.  I was incredibly proud to have brought Thomas, Tamara, and Gabby’s stories to a wider audience.  The screening not only helped generate excitement about the film’s upcoming broadcast premiere on POV but also resulted in invitations to screen at the LA Skins Fest and the inaugural Vancouver Indigenous Media Arts Festival.

    I attended a screening of “Shirley Adams,” a powerful and deeply affecting film by Khoi-San director Oliver Hermanus, as well as the Documentary Pitch Competition, which featured four finalists each of whom presented their idea to a panel of industry leaders.  It was interesting not only to hear about their projects, which varied widely in both subject and format, but also extremely useful to listen to the panel members’ extensive feedback.  

    After a great lunch with NAPT Executive Director Shirley Sneve, I attended the Funder/Buyer/Producer Micro Meetings, which were unbelievably beneficial.  I had the opportunity to meet with representatives from a number of distribution companies and other outlets and discuss my film with them.  The chance to make those contacts was invaluable. 

    Other highlights included screenings of “Samson and Delilah,” “Wapos Bay: Long Goodbyes,” and “The Creator’s Game,” which was a timely film about the Iroquois Confederacy lacrosse team whose passports were denied by the UK en route to the 2010 games. The indigenous arts community in Toronto is thriving; the numerous screenings and receptions afforded me the chance to meet many of my fellow filmmakers and hear about their varied backgrounds, experiences and stories. 

    Thanks to George, Shirley and the NAPT team for helping make the trip possible.  

  • The Cherokee Rose

    Synopsis:

    A love story fabricated around true events of the early 1800’s, where American greed and hunger to obtain more land pushed Native Americans out west, leading to the tragedy of the trail of tears.

    The Cherokee Rose


    The winds were howling more frequently as the days and nights passed. The Cherokee travelers were stranded between the banks of the frozen Mississippi and Ohio Rivers. With nowhere to go, no game to hunt, and the dead of the winter arriving sooner than expected, bringing forth the inevitable long stretch of graveyards that would extend miles on end, west of the Georgian lands, where it all began. Georgia had been home to the Cherokee Nation since the day of creation. It had been viciously robbed from them by means of betrayal and deceit. It was not long after Jackson's Native American Policy, which instituted the removal of all Native Americans from the Southeast to the new Indian Territory in the Midwest that the Cherokee tribal leaders fought against the law by taking it up to the supreme courts. Even though the Supreme Court favored the natives and sustained the rights to retain their land, they were no match for the greed and impertinence of the law the white people possessed. It was in a desperate attempt to save the Cherokee people that through secrecy Major Ridge, one of the tribal leaders, signed the Treaty of New Echota in 1835, which guaranteed a payment of nine million dollars to the natives. The money was supposed to help the natives rebuild life in the west, but instead six million was deducted from the costs of the removal process, leaving three million to be shared between fifteen thousand Cherokees. They were given two years to abandon their lands and move some 850 miles west, to what is now known as Oklahoma. However, many still hopeful, decided to stay behind tending to their normal everyday life; farming, cooking, even continuing the civilized ways of white men and allowing their children to be taught Christianity. The Cherokee had become quite civilized in trying to become equals to the white men, some owning slaves to grow crops and tend to the home. Unfortunately, the whites never considered them equals, always searching for ways to rid of them, and almost succeeding in ethnic cleansing with the anti-Indian laws imposed by the Jackson Administration, and continued through the new presidency of Thomas Jefferson; the very same man, who while running for office, had filled them with hopes of having all the same rights and freedoms of the white people, "You will unite yourselves with us, join our great councils and form one people with us. And we shall all be Americans. You will mix with us by marriage. Your blood will run within our veins and will spread with us over this great continent." -Thomas Jefferson.


    It was in the summer of 1825, when Emily Polson, a young Cherokee woman, met a charming, young, intellectual white man, Daniel Watie. Daniel was studying Law at Cornwall with John Ridge, son of Major Ridge. The winters had been extremely uneasy for John and his health became frail. As the schools steward's daughter, Sarah Bird Northrup, aided to John, Daniel also visited daily to make sure he did not fall back on his studies. There bed stricken, laid John while Daniel read to him about constitutional rights, and the 1823 ruling of Johnson & Graham's Lessee v. William McIntosh, where the courts recognized tribal sovereignty and the tribe's right to their lands.


    Major Ridge worried about his son, and waited in the summers for a visit from his nephew, Elias Boudinot, in hopes of good news that John was recovering well. But, on this occasion, Major Ridge received a letter from Elias that he would not be able to make the trip back home due to extra studies at Cornwall. As a result, Major Ridge sent his trusted friend, Adam Polson, to check on his son's well being. To accompany Adam Polson on his journey was his daughter, Emily Polson. Emily was a vibrant young woman with many dreams. She was at an age where most women would have been wed and bared a couple of children by now. But there was not one Cherokee male that met Emily's interest.


    Emily was full Cherokee; with a dark complexion, dark almond eyes, lean face and chin, and a lovely pronounced nose. She was considered a beautiful woman in her culture. She spent many days sewing with Susannah Ridge, wife of Major Ridge. She learned to read and write the Cherokee language written by Chief John Ross years before, at a time where he himself did not know how to read or write any languages. She also studied the bible, and in turn learned how to read and write English. Christianity was becoming prominent in the Cherokee community. Missionaries had come to live with them throughout the years to show them the way of true civilized beings and the word of God. However inviting the ways of the white people were, the Cherokee people remained true to their roots. They incorporated Christianity with their own beliefs. They continued to chant and embraced their own religious practices, which tended to anger the missionaries. Still, the Cherokee people distinguished themselves from other Native American tribes, as they became a Nation in themselves and conformed to the ways of white civilization more than anyone thought a culture of savages could ever conquer.


    As soon as Emily and Adam Polson walked into the house where John Ridge was found, the sound of soft, delicate music filled the air. Emily had never heard the piano before. She closed her eyes for a moment, as her father spoke to the help. She caressed the walls with her fingertips to feel the vibration of the sounds, and for a moment it was as if she were walking upon the clouds. Emily could not contain herself from dancing. It was a blissful moment.


    In the room where John resided, Daniel was playing on a small piano. Adam Polson had great esteem for John, "Dear John, how do we find you on this lovely summer day?" John Ridge attempted to sit up being pleased to see his old friend, "How good to see you, Mr. Polson. What brings you to Cornwall?" Soon after Daniel stopped playing the piano to be introduced to Adam Polson there was a sudden silence in the room when Emily entered the room. From that moment on, there would be no other eyes Daniel met that would take his breath away like Emily Polson had. And Emily would always see Daniel's face whenever she closed her eyes and replay the beautiful song she heard just moments before.


    Adam Polson extended his arm toward his daughter, "Ah… and here is my lovely young daughter, Emily." Emily's gaze was struck on Daniel, but she quickly composed herself and turned her attention to John. "We come to see you are well and in good spirits, John," she ran to him. For as much as she practiced the life of a lady, her true nature was the reason for her Cherokee given name, Avasa, meaning independent. As a child, she wondered the meadows, chasing butterflies, and fantasizing with the shapes of the clouds. She would sing to show her appreciation of nature. Her voice would send waves of enchanting melodies vibrating through the fields to be heard by many. And a lovely voice it was.


    On the trip to Cornwall, all Emily could think of was how much she wished she had stayed behind. Although, she missed her dear friend John, she dreaded the long trip. Adam Polson had smiled at his beloved daughter, and wondered when she would settle with a husband. The warm breeze would come through the window, brushing against Emily's face, putting a stop to her tapping off the wagon's ridges. She would open her eyes and smile at her father. He smiled back attempting to hide his concerns. She knew all too well what her father had in mind. Her days were limited. Soon she would have to wed, and have to tend to a husband, a home, and children. Things a normal young woman dreamt of, but Emily had lost her mother shortly after giving birth. Her father had taken great care of her and never found another mate. She felt guilty at the thought of leaving his side.


    The moment Emily and Daniel's eyes met, was the moment it all changed. After the quick visit to John, she was headed back home again, and she could think of nothing more than Daniel and his beautiful music. She sat extremely still and quiet. Her father had not noticed her change of demeanor, until they were half way home when Emily began her restless tapping against the wagon. This time she was trying to simulate Daniel's playing of the piano.


    Adam Polson noticed Emily's uneasiness "Is everything ok, Emily?"


    "Just tired father," Emily responded quickly in anticipation of her father's question. She had been anything but herself since they left. She couldn't quite get herself together to act normal. She tapped more frequently, and then suddenly stopped when she realized she probably looked like a mad woman going across the corners of the wagon. But her father was fast asleep.


    Daniel was smitten with Emily. He bored John going on and on about her. He wanted to know everything about her. As soon as classes were over, John brought Daniel back to his home. This would be Daniel's first visit to the Cherokee lands, for he was the son of a wealthy white plantation owner. His friendship with John alone had been kept a secret from Daniel's family. But he studied endlessly to become a lawyer and someday fight for the rights of the Native American people. He was a good honest man, tormented by the thought of the day his true ambitions would come to light. Surely, it would bring sorrow and disappointment to his family. But his will and faith assured him of what was right in his heart.


    John's return home was received with festivities. It had been two weeks since Daniel and Emily had locked eyes. Emily searched across the field for Daniel. Beyond the chanting and dancing, beyond the fire pits with the roasting hogs, at the end of the footsteps of the Ridges home was a group of men hauling a grand piano through the front door and into the family room. She felt her heart pause when she found his gaze. He had been searching for her amongst the crowd as well. She walked over to greet him, when he started playing a beautiful lullaby. She listened intensely, once again mesmerized by his playing.


    That summer was the beginning of a love affair that would last until the end of their days. Adam Polson had accepted Daniel to court his daughter, seeing that it had made her so happy. It reminded him of the love he shared with Emily's mother. The two grew madly in love. Soon after Daniel finished his studies they wed in the fall of 1827. Daniel had gone to share the news with his family, and just as he feared, he was quickly disowned.


    However, he had come to his own wealth through his work in law, and had obtained some Cherokee land through Emily, as a gift from her father. They had become quite prosperous, owning about twenty slaves to crop tobacco and cotton.


    For years, Daniel and Emily tried to have children, but had not succeeded. Although it brought great sadness in their inability to start a family, Daniel and Emily loved each other very much. Emily spent her time educating the Cherokee children, and Daniel practiced law and tended to their plantation. In early March of 1838, Emily and Daniel received a pleasant surprise. They would be expecting a child that winter.


    This was during the time the Treaty of Enoch was enacted. The Ridges had given up dreams of becoming equals to the whites. They had packed and moved out west the prior year. Daniel worked together with Elias to get a petition signed that would put a stop to the removal of Indians. The days were filled with anguish and aggressive motions against the state. Daniel had barely spent any time at home that fall. Emily grew worried and afraid.


    The night Emily gave birth she mailed a letter to Daniel letting him know their daughter had arrived. Two weeks later U.S. troops marched in and ransacked the Cherokee community. They rounded up the occupying natives, and sent them away like cattle, with nothing but the clothes on their back. The long journey west was an inevitable doom.


    Daniel was away submitting a petition to congress that had been signed by every remaining member of the Cherokee Nation to put a stop to the removal. As a last result, Daniel had gone to plead his father for help, who had many close friends in congress. It had been four days of begging for his life and the life of his growing family when Daniel found a letter hidden in his father's belongings.



    It was a letter from Emily telling him about their daughter's birth. Daniel was enraged, as the letter had been intercepted from its original destination where Daniel was staying in town. He could not understand the extent of his father's cruelty that he would go to such measures to hide news from him. To make matters worse, his father cold-heartedly added to the news with a smirk on his face that it was too late to save his savages. The U.S. troops had arrived a week earlier and wiped away all of the Indians.


    Daniel lost control and any sense of rationality. He rushed toward his father and killed him with a swift move from his father's own sword, which hung over the fireplace of his study. No one else was home at the time. Only the slaves on the field could be heard hauling, and the random sway of a slave driver's whip against the backs of those who disobeyed.


    He hurried out in a crazed frame of mind, covered in his father's blood. He would have to make the trip by foot or by hiding on the backs of traveling carriages.


    At last, Daniel made it home, fatigued, drenched in sweat, and still covered in his father's dried up blood. He looked nothing short of a Wanted man. He rushed towards his home only to find a white family living in it. As he burst through the front door, yelling for Emily's name, he was shot in the back by a traveling soldier in response to the new family's claim of a trespasser. Daniel died on the footsteps of his once beloved home, where he last kissed Emily and his unborn child farewell.


    It was the dead of the winter, and Emily and her daughter, along with thousands of others, were stranded between the frozen lakes. Many have died along the way, and many more continue to die, as they sit and wait for the moment to continue on their trail of tears. Emily had hoped to see Daniel one last time to introduce him to their daughter, Bakula, a Cherokee name meaning flower. She wished her daughter would grow up to be as beautiful as the Cherokee Roses she had planted in her garden.


    Some of the natives sang Christian hymns to help them forget about the cold and hunger. Emily sat away from the group near a bark of a tree, where she had dug a small hole to bury Bakula in. She was only a few weeks old, and had not survived past the first night of the cold. Emily had been carrying Bakula for many days now, not having the courage to let her go. She sat motionless staring ahead, wondering where Daniel had been. She closed her eyes and remembered the song Daniel played the first time she heard the piano. She imagined the three of them dancing to the lullaby above the clouds.


    A fellow Cherokee approached Emily to offer her some comfort. He looked at her with her closed almond shaped eyes, cracked purplish skin, and a single frozen tear fallen halfway down her cheek. He kneeled down to talk to her. As he put his hand upon her bare shoulder, afraid he could not offer her a coat, as he had none himself, it became clear that she had passed. He could not let out a cry, for he had become accustomed to such tragedy. He lost his own wife and four children. His parents had died of blows to the head the night the soldiers came. He stood up and returned to the others.


    There waist deep in the snow, was Emily cross-legged. The cool, icy winds brushed fiercely against her face breaking away the tear from her cheek, and adding to a small rip on her blouse, revealing Bakula's small hand lying above her bosom. Faint chants, the roaring lakes echoing from afar, memories of happier times…all ended there, one night in December; Forever frozen in time.

  • Thirteen Indigenous Grandmothers Weaving a World That Works

    In 2004, thirteen Indigenous grandmothers from all four corners, moved by their concern for our planet, came together at a historic gathering in Phoenicia, New York. At this event, they decided to form an alliance called "The International Council of Thirteen Indigenous Grandmothers" in response to a prophecy made by their ancestors thousands of years ago.

    What can we learn from this film? Plenty of things. A process four years in the making and shot on location in the Amazon Rainforest, the mountains of Mexico, North America and at an undisclosed location with the Dalai Lama in India, you'll be captivated by the vision of these thirteen women. Their visions for healing and a call for change are highly documented in their spiritual journey.

    Recently, Indian Country Today Media Network published an article entitled "Thirteen Indigenous Grandmothers to Trek Trail of Tears with Australian Horse Trainer." This 800-mile trek from Oklahoma to Montana is nothing but astonishing. Horse trainer Carlos Tabernaberri was discovered by Noqah Elisi (Cherokee) after a man in a vision quest told her that she was to follow in the footsteps of her grandmothers. Elisi told ABC News that she saw a balance of right relationship with Carlos that she hadn't seen in other trainers--that he is a reminder of Cherokee values.

    View the Trailer for the Film For the Next7 Generations: 13 Indigenous Grandmothers Weaving a World that Works

    Read the article "Thirteen Indigenous Grandmothers to Trek Trail of Tears with Australian Horse Trainer"

     

  • Attending American Public Television Marketplace in Memphis

    As a station relations representative for Native American Public Telecommunications, I recently attended the American Public Television Marketplace conference in Memphis, Tennessee.  The conference occurred November 9 - November 12, 2011.  It's primary purpose is to make programming available to public television stations nation-wide.  Attendees include producers, station programmers, distributers and industry experts in many areas such as research and distribution.  I am working with NAPT on distribution for Smokin' Fish and Columbus Day Legacy as well as the vast archive available to stations.  When I attend industry meetings, I am available to programmers to answer questions they may have about logistics of scheduling these programs.

    The conference started with an informative session from Craig Reed at TRAC media on why stations should invest in local programs, and which local programs are truly bringing in a substantial audience for local markets.  It was interesting to see the very high audience numbers that some of this local programming brings in.  Montana PBS has had big success with local programs that also work nationally.  Nashville Public Television also has success with long standing local theme series.  76 stations do really well with local sports programs as well with one station getting a 15 rating for a local sports program.  Craig referred to the term "Stationality" as a station that works to be important to their local audience and create that local "personality". 

    Pillar to Post also made a presentation on captioning and step-up requirements for productions headed for national distribution.  Following these presentations, the official APT Duckmaster, Kevin Harris, from WETA led the ducks of the Memphis Peabody hotel down the red carpet from the lobby fountain to their home on the roof.  The opening reception also took place in the conference area on the roof after a few of us had a chance to visit the Rendezvous restaurant for wonderful Memphis barbecue.

     

    The primary bulk of the meeting was for screening programming for potential use in PBS/public television schedules and we spent most of our time watching these clips.  Two programs from NAPT were presented for the October November 2012 timeline, Racing the Rez and GRAB.  They seemed to get a favorable response from the screening audience.  There are three areas of program availability from APT to stations, Premium Service for primarily pledge programming; Program Syndication for purchase and Program Exchange at no cost to station members.   Bill Moyers and Rick Steeves, NHK and P. Allen Smith attended the meeting and made presentations regarding their series availability to stations.

     

    The most inspirational moments of the meeting occurred during John Hunter's presentation at the closing for the Key Note speech.  There had been a wonderful program offer for a production based on his method of teaching young 4th grade children, by involving them in real life scenarios, that received applause from the entire screening audience.  When John Hunter spoke to the crowd, his words motivated the gathered adults and showed us all just how positive and effective he must be as a teacher and as an individual. 

     

    All in all this was a valuable event for those involved in public television production and distribution.   As an added benefit, APT provided an opportunity for us to tour Graceland and then provided travel directly to the airport, which made it possible for those of us with tight flight schedules to attend.   And this was an event in itself!

     

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